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International Journal of Humanities and Arts

Vol. 7, Issue 1, Part A (2025)

Defamiliarization in Harold Pinter’s The birthday party: A critical reading

Author(s):

Asmaa Mukaram Saeed

Abstract:

This critical reading of Harold Pinter's play "The Birthday Party" analyses themes of defamiliarization, identity, and the inherent ambiguity of human nature. Set against the backdrop of post-World War II disillusionment, the play presents characters who are alienated and lost, reflecting the crises of the twentieth century. The protagonist, Stanley Webber, grapples with a fragmented identity and a past that haunts him, while the arrival of mysterious guests, Goldberg and McCann, heightens the tension and ambiguity surrounding his character. The play's structure lacks a clear plot, emphasizing the absurdity of existence and the characters' struggles with their inner demons. Pinter employs defamiliarization, a technique that makes familiar objects and situations appear strange, to challenge audience perceptions and highlight the complexities of human relationships. Ultimately, "The Birthday Party" serves as a poignant commentary on the human condition, marked by fear, isolation, and the quest for identity in a chaotic world.

Pages: 19-23  |  29 Views  10 Downloads


International Journal of Humanities and Arts
How to cite this article:
Asmaa Mukaram Saeed. Defamiliarization in Harold Pinter’s The birthday party: A critical reading. Int. J. Humanit. Arts 2025;7(1):19-23. DOI: 10.33545/26647699.2025.v7.i1a.114
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